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British novelist Joanna Trollope, whose portrayals of British domestic life made her one of the nation’s most widely read authors, has died at the age of 82.
Trollope published more than 30 novels during a writing career that began in 1980. Her early works, written under the pseudonym Caroline Harvey, were historical romances, but from the mid-1980s onward, she turned to contemporary fiction, a shift that would define her reputation.
In a statement, her daughters said that she died peacefully at home on Thursday.
Trollope’s breakthrough came with novels including The Rector’s Wife, which in 1991 knocked leading authors off the top of the charts, and later works including A Village Affair and Mum & Dad, which tackled issues ranging from infidelity, remarriage, parenthood and adoption to the strains on the so-called “sandwich generation” caring for both their children and their parents.
Though sometimes dismissed by critics as “middlebrow” or “cosy” – Terence Blacker famously labelled her novels “Aga sagas” – Trollope long rejected such categorisations. In a 2006 interview with the Guardian, she said, “actually, the novels are quite subversive, quite bleak. It’s all rather patronising isn’t it?” Rather than fairytale versions of domestic life, her books were praised by critics for their honest reflections of ordinary people’s dilemmas, addressing themes of broken families, difficult relationships, love and betrayal.
Born in 1943 in Gloucestershire, Trollope is a distant descendant of Anthony Trollope, the celebrated 19th-century novelist known for The Chronicles of Barsetshire and The Palliser novels. She studied English at St Hugh’s College, Oxford, before joining the Foreign Office. She subsequently turned to teaching. It was during this period, while balancing work with raising two daughters, that she began writing in earnest.
Throughout the 1990s and 00s, she produced a succession of bestsellers, including A Village Affair, Next of Kin, Other People’s Children and Marrying the Mistress. Many were adapted for television, bringing her stories to an even wider audience. Explaining her success, she said in a 1993 interview: “I think my books are just the dear old traditional novel making a quiet comeback”.
Trollope’s later novels demonstrated her awareness of social and economic change. In City of Friends she turned her attention to the pressures women faced in corporate life; in Mum & Dad, published when she was in her 70s, she explored the strains of elder care.
The changing expectations of women were a central concern in Trollope’s work. “I was born at the very end of 1943, and for my generation there were almost no women who worked,” she said in a 2017 interview with Radio Times. “I knew I wanted to, and I did. Then you get my daughters’ generation – I’ve got one of 48 and one of 45, the same age roughly as the characters in City of Friends – and they all work. And by the time you get to the generation of my 18-year-old granddaughter, they wouldn’t think of not working.” In a 1994 episode of Desert Island Discs, she again addressed criticisms from men who suggested her books were trivial, responding: “It is a grave mistake to think there is more significance in great things than in little things”.
She has been praised for her ability to give voice to the hidden anxieties of everyday life in her work – fellow novelist Fay Weldon once said Trollope had “a gift for putting her finger on the problem of the times”. In a 2020 interview with the Guardian, Trollope echoed the sentiment, speaking about her motivation as a writer: “What I’m trying to do in all these novels is mirror a contemporary preoccupation. I’m not providing any solutions. I’m simply saying: ‘Can we please get the conversation going?’” She argued that fiction has value precisely because it can allow readers to “admit to all kinds of things that you can’t otherwise”.
Away from writing, Trollope served as a judge for several major literary prizes and was an advocate for literacy and public libraries. She was awarded an OBE in 1996 and later elevated to CBE for services to literature. Later in life, she also spent time volunteering in prisons and young offender institutions, and was a patron of numerous charities.
Trollope married a city banker, David Roger William Potter, in 1966. The couple had two daughters, Louise and Antonia, divorcing in 1983. Two years later, she married the television dramatist Ian Curteis and became a stepmother to his two sons. The pair divorced in 2001.
Of her legacy, Trollope told the Guardian in 2015: “I’d like to be remembered for something more general: that my novels were an enormous comfort to a lot of people who felt despair or jealousy or whatever it was. I want my books to say: ‘It’s OK, we all feel like that.’”
Trollope is survived by her two daughters and her grandchildren.
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